After Kabul fell to the Taliban on August 15, 2021, Western media assigned the group a brand new moniker: “Taliban 2.0.” Certainly, the Islamic fundamentalist group that had dominated Afghanistan within the latter half of the ’90s — overseeing a theocratic regime that repressed girls, spiritual minorities and political opponents — promised to kind an “open, inclusive Islamic authorities” and that ladies had been “going to be very lively within the society.”
Danish photographer Nanna Muus Steffensen, 36, has lived in Kabul since 2019. Because the worldwide media slowly turned away, Muus noticed shortly how the Taliban started to renege on its guarantees and roll out a collection of repressive measures, principally focused at Afghan girls. The caretaker cupboard put in in September was comprised of hardliners — and no girls. That very same month, Afghanistan turned the one nation the place ladies couldn’t attend highschool. And in Might, girls had been ordered to cowl their faces in public and to solely depart house when needed. It was, says Muus, “a downward spiral over a yr.”
Muus’ photographic work has explored the numerous methods — some on a regular basis and a few life-and-death — these restrictions have altered life in Kabul. Fewer girls are seen on the streets, and the colourful clothes they as soon as wore has been swapped for darker clothes. Fewer girls are allowed to work, contributing to an financial disaster during which greater than 90 % of Afghans are affected by meals insecurity. The plunge of middle-class households into poverty means many can not afford to go to personal hospitals, inundating public maternity wards. And psychological well being points are surfacing amongst a technology of girls out of the blue stripped of their skilled and social selves. “Their complete identification has been taken away from them — their plans, their goal, their future, their goals,” Muus says.
